{"id":1072,"date":"2017-11-03T12:20:22","date_gmt":"2017-11-03T12:20:22","guid":{"rendered":"https:\/\/research.kent.ac.uk\/upgrade-reviewingspectacle\/?page_id=1072"},"modified":"2020-12-14T17:59:28","modified_gmt":"2020-12-14T17:59:28","slug":"home-2","status":"publish","type":"page","link":"https:\/\/research.kent.ac.uk\/reviewingspectacle\/fr\/home-2\/","title":{"rendered":"Home"},"content":{"rendered":"<p>C\u00e9l\u00e9brit\u00e9, r\u00e9seaux sociaux, <em>selfies<\/em>, communication\u2026 Plus que n\u2019importe quel autre terme, le <em>spectacle <\/em>rend compte de notre monde postmoderne et post-industriel. Ce projet marque le cinquanti\u00e8me anniversaire de <em>La soci\u00e9t\u00e9 du spectacle<\/em> de Guy Debord (1967), un des textes les plus importants du XX\u00e8me si\u00e8cle. Notre projet revisite les th\u00e9ories et les pratiques de Debord et du groupe d\u2019artistes et d\u2019activistes auquel il appartenait, l\u2019Internationale Situationniste (1957-72). Il s\u2019agit d\u2019examiner comment leur radicalit\u00e9 a marqu\u00e9 la performance artistique, et dans quelle mesure elle peut encore marquer la performance contemporaine.<\/p>\n<p>Publications actuelles:<\/p>\n<ul>\n<li class=\"pagetitle\">\n<h4><a href=\"http:\/\/theatrepublic.fr\/theatre-public-n231-internationale-situationniste-theatre-performance-entretien-sonia-debeauvais\/\"><strong>Th\u00e9\u00e2tre Public N\u00b0231 \u2013 Internationale situationniste. Th\u00e9\u00e2tre, performance<\/strong><\/a><\/h4>\n<\/li>\n<li>\n<h4><a href=\"https:\/\/www.performance-research.org\/forthcoming-issue.php\">Performance Research\u00a0VOLUME 23 ISSUE 7 &#8211; On Drifting<\/a><\/h4>\n<\/li>\n<\/ul>\n<p class=\"alignright\"><a title=\"follow us on facebook\" href=\"http:\/\/www.facebook.com\/ReviewingSpectacle\" target=\"_blank\" rel=\"noopener noreferrer\"><img decoding=\"async\" class=\"alignright\" src=\"https:\/\/c866088.ssl.cf3.rackcdn.com\/assets\/facebook30x30.png\" alt=\"follow us on facebook\" border=\"0\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>C\u00e9l\u00e9brit\u00e9, r\u00e9seaux sociaux, selfies, communication\u2026 Plus que n\u2019importe quel autre terme, le spectacle rend compte de notre monde postmoderne et post-industriel. Ce projet marque le cinquanti\u00e8me anniversaire de La soci\u00e9t\u00e9 du spectacle de Guy Debord (1967), un des textes les plus importants du XX\u00e8me si\u00e8cle. Notre projet revisite les th\u00e9ories et les pratiques de Debord [&hellip;]<\/p>\n","protected":false},"author":1043,"featured_media":0,"parent":0,"menu_order":6,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-1072","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/research.kent.ac.uk\/reviewingspectacle\/wp-json\/wp\/v2\/pages\/1072","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/research.kent.ac.uk\/reviewingspectacle\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/research.kent.ac.uk\/reviewingspectacle\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/research.kent.ac.uk\/reviewingspectacle\/wp-json\/wp\/v2\/users\/1043"}],"replies":[{"embeddable":true,"href":"https:\/\/research.kent.ac.uk\/reviewingspectacle\/wp-json\/wp\/v2\/comments?post=1072"}],"version-history":[{"count":5,"href":"https:\/\/research.kent.ac.uk\/reviewingspectacle\/wp-json\/wp\/v2\/pages\/1072\/revisions"}],"predecessor-version":[{"id":2317,"href":"https:\/\/research.kent.ac.uk\/reviewingspectacle\/wp-json\/wp\/v2\/pages\/1072\/revisions\/2317"}],"wp:attachment":[{"href":"https:\/\/research.kent.ac.uk\/reviewingspectacle\/wp-json\/wp\/v2\/media?parent=1072"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}