{"id":1050,"date":"2017-11-03T11:57:14","date_gmt":"2017-11-03T11:57:14","guid":{"rendered":"https:\/\/research.kent.ac.uk\/upgrade-reviewingspectacle\/?page_id=1050"},"modified":"2020-12-14T18:35:27","modified_gmt":"2020-12-14T18:35:27","slug":"galerie","status":"publish","type":"page","link":"https:\/\/research.kent.ac.uk\/reviewingspectacle\/fr\/galerie\/","title":{"rendered":"Galerie"},"content":{"rendered":"<p>Images from Atelier 1<br \/>\n<strong>D\u00e9tournement\/Situation<\/strong> March 24 &#8211; 25, 2017 (Paris)<\/p>\n<table>\n<tbody>\n<tr>\n<td>\n<p><div id=\"attachment_381\" style=\"width: 310px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/research.kent.ac.uk\/reviewingspectacle\/jules-beckman\/\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-381\" class=\"size-medium wp-image-381 aligncenter\" src=\"https:\/\/research.kent.ac.uk\/reviewingspectacle\/wp-content\/uploads\/sites\/2383\/2017\/03\/Beckman2-300x230.jpg\" alt=\"\" width=\"300\" height=\"230\" srcset=\"https:\/\/research.kent.ac.uk\/reviewingspectacle\/wp-content\/uploads\/sites\/2383\/2017\/03\/Beckman2-300x230.jpg 300w, https:\/\/research.kent.ac.uk\/reviewingspectacle\/wp-content\/uploads\/sites\/2383\/2017\/03\/Beckman2.jpg 592w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><p id=\"caption-attachment-381\" class=\"wp-caption-text\">Jules Beckman<\/p><\/div><\/td>\n<td>\n<p><div id=\"attachment_389\" style=\"width: 310px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/research.kent.ac.uk\/reviewingspectacle\/wp-content\/uploads\/sites\/2383\/2017\/03\/GK2.png\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-389\" class=\"wp-image-389 size-medium\" src=\"https:\/\/research.kent.ac.uk\/reviewingspectacle\/wp-content\/uploads\/sites\/2383\/2017\/03\/GK2-300x139.png\" alt=\"\" width=\"300\" height=\"139\" srcset=\"https:\/\/research.kent.ac.uk\/reviewingspectacle\/wp-content\/uploads\/sites\/2383\/2017\/03\/GK2-300x139.png 300w, https:\/\/research.kent.ac.uk\/reviewingspectacle\/wp-content\/uploads\/sites\/2383\/2017\/03\/GK2-768x357.png 768w, https:\/\/research.kent.ac.uk\/reviewingspectacle\/wp-content\/uploads\/sites\/2383\/2017\/03\/GK2.png 794w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><p id=\"caption-attachment-389\" class=\"wp-caption-text\">Compagnie GK Collective<\/p><\/div><\/td>\n<td>\n<p><div id=\"attachment_386\" style=\"width: 310px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-386\" class=\"size-medium wp-image-386\" src=\"https:\/\/research.kent.ac.uk\/reviewingspectacle\/wp-content\/uploads\/sites\/2383\/2017\/03\/GK1-300x178.jpg\" alt=\"\" width=\"300\" height=\"178\" srcset=\"https:\/\/research.kent.ac.uk\/reviewingspectacle\/wp-content\/uploads\/sites\/2383\/2017\/03\/GK1-300x178.jpg 300w, https:\/\/research.kent.ac.uk\/reviewingspectacle\/wp-content\/uploads\/sites\/2383\/2017\/03\/GK1-768x455.jpg 768w, https:\/\/research.kent.ac.uk\/reviewingspectacle\/wp-content\/uploads\/sites\/2383\/2017\/03\/GK1-1024x606.jpg 1024w, https:\/\/research.kent.ac.uk\/reviewingspectacle\/wp-content\/uploads\/sites\/2383\/2017\/03\/GK1.jpg 1920w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><p id=\"caption-attachment-386\" class=\"wp-caption-text\">Compagnie GK Collective<\/p><\/div><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>Images from Atelier 2<br \/>\n<strong>How to Drift<\/strong>\u00a0June 9 &#8211; 10, 2017 (Glasgow)<\/p>\n<p>&nbsp;<\/p>\n<table>\n<tbody>\n<tr>\n<td>\n<p><div id=\"attachment_461\" style=\"width: 229px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/research.kent.ac.uk\/reviewingspectacle\/sample-page\/gallery\/polarity-boxing\/\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-461\" class=\"wp-image-461 size-medium\" src=\"https:\/\/research.kent.ac.uk\/reviewingspectacle\/wp-content\/uploads\/sites\/2383\/2017\/05\/SWORN-219x300.jpg\" alt=\"\" width=\"219\" height=\"300\" srcset=\"https:\/\/research.kent.ac.uk\/reviewingspectacle\/wp-content\/uploads\/sites\/2383\/2017\/05\/SWORN-219x300.jpg 219w, https:\/\/research.kent.ac.uk\/reviewingspectacle\/wp-content\/uploads\/sites\/2383\/2017\/05\/SWORN-768x1051.jpg 768w, https:\/\/research.kent.ac.uk\/reviewingspectacle\/wp-content\/uploads\/sites\/2383\/2017\/05\/SWORN-749x1024.jpg 749w, https:\/\/research.kent.ac.uk\/reviewingspectacle\/wp-content\/uploads\/sites\/2383\/2017\/05\/SWORN.jpg 1404w\" sizes=\"auto, (max-width: 219px) 100vw, 219px\" \/><\/a><p id=\"caption-attachment-461\" class=\"wp-caption-text\"><strong><em>Polarity Boxing<\/em> <\/strong>(Corin Sworn, Jer Reid and Kai-Wen Chuang)<\/p><\/div><\/td>\n<td style=\"text-align: center\">\n<p><div id=\"attachment_743\" style=\"width: 210px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/research.kent.ac.uk\/reviewingspectacle\/wp-content\/uploads\/sites\/2383\/2017\/03\/2017_06_09_CCA_How-To-Drift_DavidPinder_UnchainingCities_018.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-743\" class=\"wp-image-743 size-medium\" src=\"https:\/\/research.kent.ac.uk\/reviewingspectacle\/wp-content\/uploads\/sites\/2383\/2017\/03\/2017_06_09_CCA_How-To-Drift_DavidPinder_UnchainingCities_018-200x300.jpg\" alt=\"\" width=\"200\" height=\"300\" srcset=\"https:\/\/research.kent.ac.uk\/reviewingspectacle\/wp-content\/uploads\/sites\/2383\/2017\/03\/2017_06_09_CCA_How-To-Drift_DavidPinder_UnchainingCities_018-200x300.jpg 200w, https:\/\/research.kent.ac.uk\/reviewingspectacle\/wp-content\/uploads\/sites\/2383\/2017\/03\/2017_06_09_CCA_How-To-Drift_DavidPinder_UnchainingCities_018-768x1152.jpg 768w, https:\/\/research.kent.ac.uk\/reviewingspectacle\/wp-content\/uploads\/sites\/2383\/2017\/03\/2017_06_09_CCA_How-To-Drift_DavidPinder_UnchainingCities_018-683x1024.jpg 683w, https:\/\/research.kent.ac.uk\/reviewingspectacle\/wp-content\/uploads\/sites\/2383\/2017\/03\/2017_06_09_CCA_How-To-Drift_DavidPinder_UnchainingCities_018.jpg 1280w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/a><p id=\"caption-attachment-743\" class=\"wp-caption-text\"><strong>&#8220;Unchaining cities: la d\u00e9rive sixty years on&#8221;<\/strong> (David Pinder)<\/p><\/div><\/td>\n<td style=\"text-align: center\">\n<p><div id=\"attachment_746\" style=\"width: 310px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/research.kent.ac.uk\/reviewingspectacle\/claquettes-europeennes-european-tap-dance\/\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-746\" class=\"wp-image-746 size-medium\" src=\"https:\/\/research.kent.ac.uk\/reviewingspectacle\/wp-content\/uploads\/sites\/2383\/2017\/03\/2017_06_09_CCA_How-To-Drift_Emilio-LopezMenchero_094-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/research.kent.ac.uk\/reviewingspectacle\/wp-content\/uploads\/sites\/2383\/2017\/03\/2017_06_09_CCA_How-To-Drift_Emilio-LopezMenchero_094-300x200.jpg 300w, https:\/\/research.kent.ac.uk\/reviewingspectacle\/wp-content\/uploads\/sites\/2383\/2017\/03\/2017_06_09_CCA_How-To-Drift_Emilio-LopezMenchero_094-768x512.jpg 768w, https:\/\/research.kent.ac.uk\/reviewingspectacle\/wp-content\/uploads\/sites\/2383\/2017\/03\/2017_06_09_CCA_How-To-Drift_Emilio-LopezMenchero_094-1024x683.jpg 1024w, https:\/\/research.kent.ac.uk\/reviewingspectacle\/wp-content\/uploads\/sites\/2383\/2017\/03\/2017_06_09_CCA_How-To-Drift_Emilio-LopezMenchero_094.jpg 1920w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><p id=\"caption-attachment-746\" class=\"wp-caption-text\"><strong><em>Claquettes europ\u00e9ennes\/European Tap Dance<\/em> <\/strong>(Emilio L\u00f3pez-Menchero)<\/p><\/div><\/td>\n<\/tr>\n<tr>\n<td>\n<p><div id=\"attachment_1110\" style=\"width: 310px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/research.kent.ac.uk\/reviewingspectacle\/the-baudelaire-fractal-a-tale-of-drifting-authorship\/\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-1110\" class=\"size-medium wp-image-1110\" src=\"https:\/\/research.kent.ac.uk\/reviewingspectacle\/wp-content\/uploads\/sites\/2383\/2017\/11\/2017_06_10_CCA_How-To-Drift_Lisa-Robertson_Baudelaire_008-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/research.kent.ac.uk\/reviewingspectacle\/wp-content\/uploads\/sites\/2383\/2017\/11\/2017_06_10_CCA_How-To-Drift_Lisa-Robertson_Baudelaire_008-300x200.jpg 300w, https:\/\/research.kent.ac.uk\/reviewingspectacle\/wp-content\/uploads\/sites\/2383\/2017\/11\/2017_06_10_CCA_How-To-Drift_Lisa-Robertson_Baudelaire_008-768x512.jpg 768w, https:\/\/research.kent.ac.uk\/reviewingspectacle\/wp-content\/uploads\/sites\/2383\/2017\/11\/2017_06_10_CCA_How-To-Drift_Lisa-Robertson_Baudelaire_008-1024x683.jpg 1024w, https:\/\/research.kent.ac.uk\/reviewingspectacle\/wp-content\/uploads\/sites\/2383\/2017\/11\/2017_06_10_CCA_How-To-Drift_Lisa-Robertson_Baudelaire_008.jpg 1920w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><p id=\"caption-attachment-1110\" class=\"wp-caption-text\"><strong>&#8220;The Baudelaire Fractal: A Tale of Drifting Authorship&#8221;<\/strong> (Lisa Robertson)<\/p><\/div><\/td>\n<td>\n<p><div id=\"attachment_1165\" style=\"width: 310px\" class=\"wp-caption alignright\"><a href=\"https:\/\/research.kent.ac.uk\/reviewingspectacle\/ici-repose-guy-debord\/\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-1165\" class=\"size-medium wp-image-1165\" src=\"https:\/\/research.kent.ac.uk\/reviewingspectacle\/wp-content\/uploads\/sites\/2383\/2017\/11\/2017_06_10_CCA_HowToDrift_ScottMyles-DominicPaterson_IciReposeGuyDebord_015-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/research.kent.ac.uk\/reviewingspectacle\/wp-content\/uploads\/sites\/2383\/2017\/11\/2017_06_10_CCA_HowToDrift_ScottMyles-DominicPaterson_IciReposeGuyDebord_015-300x200.jpg 300w, https:\/\/research.kent.ac.uk\/reviewingspectacle\/wp-content\/uploads\/sites\/2383\/2017\/11\/2017_06_10_CCA_HowToDrift_ScottMyles-DominicPaterson_IciReposeGuyDebord_015-768x512.jpg 768w, https:\/\/research.kent.ac.uk\/reviewingspectacle\/wp-content\/uploads\/sites\/2383\/2017\/11\/2017_06_10_CCA_HowToDrift_ScottMyles-DominicPaterson_IciReposeGuyDebord_015-1024x683.jpg 1024w, https:\/\/research.kent.ac.uk\/reviewingspectacle\/wp-content\/uploads\/sites\/2383\/2017\/11\/2017_06_10_CCA_HowToDrift_ScottMyles-DominicPaterson_IciReposeGuyDebord_015.jpg 1920w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><p id=\"caption-attachment-1165\" class=\"wp-caption-text\"><strong>Ici Repose Guy Debord<\/strong><br \/>(Scott Myles and Dominic Paterson)<\/p><\/div><\/td>\n<td>\n<p><div id=\"attachment_1186\" style=\"width: 197px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/research.kent.ac.uk\/reviewingspectacle\/counterpointer\/\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-1186\" class=\" wp-image-1186\" src=\"https:\/\/research.kent.ac.uk\/reviewingspectacle\/wp-content\/uploads\/sites\/2383\/2017\/11\/2017_06_10_CCA_How-To-Drift_Graeme-Miller_Counterpointer_005-200x300.jpg\" alt=\"\" width=\"187\" height=\"281\" srcset=\"https:\/\/research.kent.ac.uk\/reviewingspectacle\/wp-content\/uploads\/sites\/2383\/2017\/11\/2017_06_10_CCA_How-To-Drift_Graeme-Miller_Counterpointer_005-200x300.jpg 200w, https:\/\/research.kent.ac.uk\/reviewingspectacle\/wp-content\/uploads\/sites\/2383\/2017\/11\/2017_06_10_CCA_How-To-Drift_Graeme-Miller_Counterpointer_005-768x1152.jpg 768w, https:\/\/research.kent.ac.uk\/reviewingspectacle\/wp-content\/uploads\/sites\/2383\/2017\/11\/2017_06_10_CCA_How-To-Drift_Graeme-Miller_Counterpointer_005-683x1024.jpg 683w, https:\/\/research.kent.ac.uk\/reviewingspectacle\/wp-content\/uploads\/sites\/2383\/2017\/11\/2017_06_10_CCA_How-To-Drift_Graeme-Miller_Counterpointer_005.jpg 1280w\" sizes=\"auto, (max-width: 187px) 100vw, 187px\" \/><\/a><p id=\"caption-attachment-1186\" class=\"wp-caption-text\"><strong>Counterpointer<\/strong><br \/>(Graeme Miller)<\/p><\/div><\/td>\n<\/tr>\n<tr>\n<td>\n<p><div id=\"attachment_1231\" style=\"width: 310px\" class=\"wp-caption alignright\"><a href=\"https:\/\/research.kent.ac.uk\/reviewingspectacle\/id-prefer-not-to-drifting-resisting-sabotage-the-tactics-of-work-refusal-in-contemporary-political-struggles\/\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-1231\" class=\"size-medium wp-image-1231\" src=\"https:\/\/research.kent.ac.uk\/reviewingspectacle\/wp-content\/uploads\/sites\/2383\/2017\/11\/2017_06_10_CCA_How-To-Drift_Lynne-Friedli_Id-prefer-not-to_008-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/research.kent.ac.uk\/reviewingspectacle\/wp-content\/uploads\/sites\/2383\/2017\/11\/2017_06_10_CCA_How-To-Drift_Lynne-Friedli_Id-prefer-not-to_008-300x200.jpg 300w, https:\/\/research.kent.ac.uk\/reviewingspectacle\/wp-content\/uploads\/sites\/2383\/2017\/11\/2017_06_10_CCA_How-To-Drift_Lynne-Friedli_Id-prefer-not-to_008-768x512.jpg 768w, https:\/\/research.kent.ac.uk\/reviewingspectacle\/wp-content\/uploads\/sites\/2383\/2017\/11\/2017_06_10_CCA_How-To-Drift_Lynne-Friedli_Id-prefer-not-to_008-1024x683.jpg 1024w, https:\/\/research.kent.ac.uk\/reviewingspectacle\/wp-content\/uploads\/sites\/2383\/2017\/11\/2017_06_10_CCA_How-To-Drift_Lynne-Friedli_Id-prefer-not-to_008.jpg 1920w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><p id=\"caption-attachment-1231\" class=\"wp-caption-text\"><strong>\u2018 \u201cI&#8217;d prefer not to\u201d: Drifting, Resisting, Sabotage: The Tactics of Work Refusal in Contemporary Political Struggles\u2019<\/strong><br \/>(Lynne Friedli)<\/p><\/div><\/td>\n<td>\n<p><div id=\"attachment_1270\" style=\"width: 310px\" class=\"wp-caption alignright\"><a href=\"https:\/\/research.kent.ac.uk\/reviewingspectacle\/cathy-turner\/\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-1270\" class=\"size-medium wp-image-1270\" src=\"https:\/\/research.kent.ac.uk\/reviewingspectacle\/wp-content\/uploads\/sites\/2383\/2017\/11\/2017_06_10_CCA_How-To-Drift_CathyTurner_Adrift-in-India_004-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/research.kent.ac.uk\/reviewingspectacle\/wp-content\/uploads\/sites\/2383\/2017\/11\/2017_06_10_CCA_How-To-Drift_CathyTurner_Adrift-in-India_004-300x200.jpg 300w, https:\/\/research.kent.ac.uk\/reviewingspectacle\/wp-content\/uploads\/sites\/2383\/2017\/11\/2017_06_10_CCA_How-To-Drift_CathyTurner_Adrift-in-India_004-768x512.jpg 768w, https:\/\/research.kent.ac.uk\/reviewingspectacle\/wp-content\/uploads\/sites\/2383\/2017\/11\/2017_06_10_CCA_How-To-Drift_CathyTurner_Adrift-in-India_004-1024x683.jpg 1024w, https:\/\/research.kent.ac.uk\/reviewingspectacle\/wp-content\/uploads\/sites\/2383\/2017\/11\/2017_06_10_CCA_How-To-Drift_CathyTurner_Adrift-in-India_004.jpg 1920w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><p id=\"caption-attachment-1270\" class=\"wp-caption-text\">\u2018<strong>Adrift in India\u2019<\/strong><br \/>(Cathy Turner)<\/p><\/div><\/td>\n<td>\n<p><div id=\"attachment_1311\" style=\"width: 210px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/research.kent.ac.uk\/reviewingspectacle\/lone-twin\/\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-1311\" class=\"size-medium wp-image-1311\" src=\"https:\/\/research.kent.ac.uk\/reviewingspectacle\/wp-content\/uploads\/sites\/2383\/2017\/11\/2017_06_10_CCA_How-To-Drift_LoneTwin_WalkWithMe_008-200x300.jpg\" alt=\"\" width=\"200\" height=\"300\" srcset=\"https:\/\/research.kent.ac.uk\/reviewingspectacle\/wp-content\/uploads\/sites\/2383\/2017\/11\/2017_06_10_CCA_How-To-Drift_LoneTwin_WalkWithMe_008-200x300.jpg 200w, https:\/\/research.kent.ac.uk\/reviewingspectacle\/wp-content\/uploads\/sites\/2383\/2017\/11\/2017_06_10_CCA_How-To-Drift_LoneTwin_WalkWithMe_008-768x1152.jpg 768w, https:\/\/research.kent.ac.uk\/reviewingspectacle\/wp-content\/uploads\/sites\/2383\/2017\/11\/2017_06_10_CCA_How-To-Drift_LoneTwin_WalkWithMe_008-683x1024.jpg 683w, https:\/\/research.kent.ac.uk\/reviewingspectacle\/wp-content\/uploads\/sites\/2383\/2017\/11\/2017_06_10_CCA_How-To-Drift_LoneTwin_WalkWithMe_008.jpg 1280w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/a><p id=\"caption-attachment-1311\" class=\"wp-caption-text\"><strong>Walk With Me, Walk With Me, Will Somebody Please Walk With Me<\/strong><br \/>(Lone Twin)<\/p><\/div><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Images from Atelier 1 D\u00e9tournement\/Situation March 24 &#8211; 25, 2017 (Paris) Images from Atelier 2 How to Drift\u00a0June 9 &#8211; 10, 2017 (Glasgow) &nbsp; &nbsp;<\/p>\n","protected":false},"author":1043,"featured_media":0,"parent":0,"menu_order":7,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-1050","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/research.kent.ac.uk\/reviewingspectacle\/wp-json\/wp\/v2\/pages\/1050","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/research.kent.ac.uk\/reviewingspectacle\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/research.kent.ac.uk\/reviewingspectacle\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/research.kent.ac.uk\/reviewingspectacle\/wp-json\/wp\/v2\/users\/1043"}],"replies":[{"embeddable":true,"href":"https:\/\/research.kent.ac.uk\/reviewingspectacle\/wp-json\/wp\/v2\/comments?post=1050"}],"version-history":[{"count":2,"href":"https:\/\/research.kent.ac.uk\/reviewingspectacle\/wp-json\/wp\/v2\/pages\/1050\/revisions"}],"predecessor-version":[{"id":2350,"href":"https:\/\/research.kent.ac.uk\/reviewingspectacle\/wp-json\/wp\/v2\/pages\/1050\/revisions\/2350"}],"wp:attachment":[{"href":"https:\/\/research.kent.ac.uk\/reviewingspectacle\/wp-json\/wp\/v2\/media?parent=1050"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}