{"version":"1.0","provider_name":"Reviewing Spectacle","provider_url":"https:\/\/research.kent.ac.uk\/reviewingspectacle","author_name":"Reviewing Spectacle","author_url":"https:\/\/research.kent.ac.uk\/reviewingspectacle","title":"Home - Reviewing Spectacle - Research at Kent","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"YR17H3BuKY\"><a href=\"https:\/\/research.kent.ac.uk\/reviewingspectacle\/fr\/home-2\/\">Home<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/research.kent.ac.uk\/reviewingspectacle\/fr\/home-2\/embed\/#?secret=YR17H3BuKY\" width=\"600\" height=\"338\" title=\"&#8220;Home&#8221; &#8212; Reviewing Spectacle\" data-secret=\"YR17H3BuKY\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/research.kent.ac.uk\/reviewingspectacle\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","description":"C\u00e9l\u00e9brit\u00e9, r\u00e9seaux sociaux, selfies, communication\u2026 Plus que n\u2019importe quel autre terme, le spectacle rend compte de notre monde postmoderne et post-industriel. Ce projet marque le cinquanti\u00e8me anniversaire de La soci\u00e9t\u00e9 du spectacle de Guy Debord (1967), un des textes les plus importants du XX\u00e8me si\u00e8cle. Notre projet revisite les th\u00e9ories et les pratiques de Debord [&hellip;]","thumbnail_url":"https:\/\/c866088.ssl.cf3.rackcdn.com\/assets\/facebook30x30.png"}