{"version":"1.0","provider_name":"Reviewing Spectacle","provider_url":"https:\/\/research.kent.ac.uk\/reviewingspectacle","author_name":"Reviewing Spectacle","author_url":"https:\/\/research.kent.ac.uk\/reviewingspectacle","title":"Reviewing Spectacle - Research at Kent","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"cXBd5OR5GA\"><a href=\"https:\/\/research.kent.ac.uk\/reviewingspectacle\/\">Home<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/research.kent.ac.uk\/reviewingspectacle\/embed\/#?secret=cXBd5OR5GA\" width=\"600\" height=\"338\" title=\"&#8220;Home&#8221; &#8212; Reviewing Spectacle\" data-secret=\"cXBd5OR5GA\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/research.kent.ac.uk\/reviewingspectacle\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","description":"Celebrity, social media, selfies, spin\u2026 More than any other term, spectacle describes our postmodern and post-industrial worlds. This project marks the fiftieth anniversary of one of the last century\u2019s most influential texts, Guy Debord\u2019s The Society of the Spectacle (1967). Our project revisits the theories and practices of Debord and the Situationist International (1957-72), the [&hellip;]","thumbnail_url":"https:\/\/c866088.ssl.cf3.rackcdn.com\/assets\/facebook30x30.png"}